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Maision de Verre’s great living room taken by the second floor. The room has a grand book case filled with books and gorgeous furniture. There is black and red industrial beams supporting the open concept. Another view of Maison de Verre’s great room featuring the glass brick wall and a brown grand piano. Black and white image of the bathroom inside the glass brick room. Exterior Shot of Maison de Verre, A large beautiful building completely made of glass bricks. The lights inside are turned on illuminating the entire building. Maision de Verre’s great living room taken by the second floor. The room has a grand book case filled with books and gorgeous furniture. There is black and red industrial beams supporting the open concept. Another view of Maison de Verre’s great room featuring the glass brick wall and a brown grand piano. Image of the bottom floor of the glass brick building.
Glass Houses

Maison de Verre, designed by Pierre Chareau in 1932.

The glass brick craze started in 1930s and 40s, then reappeared in the 80s, but I rarely see it in current designs. It carries a certain nostalgia, maybe because the bathroom in my childhood home was adorned with it. I started off my time in a what you would consider a family home. In the daylight I’d dance in the bathtub waving my sister down in the backyard and when it was dark you’d see the shadows of our existence behind the glass walls. I like the transparency and distortion, nothing to see yet, all you see is not all you get. Regardless of it all, everything in this space is beautiful. The kind of beautiful that makes you feel small. 
A Green bathroom covered with tile head to toe with organic curved walls. A Green bathroom covered with tile head to toe with organic curved walls. The Garden rooms, main bedroom with organic shaped white plaster walls, there is windows leading into the bathroom.


Garden Room
Created by The White Room Studio, an architecture and interior design studio based in Mumbai, India.  

The natural curvature of walls is truly what drew me to this design. It feels warm despite the sea-foam green and the abundance of tiles that are inevitably cold beneath your feet. It’s sparkly, which is something I once desired. I think sitting in this space would inspire thoughtful reflection, its both healing and whimsical. It is a space that caters to both the child and the adult, a marriage of textures and feelings.







A green monocratic theater with beautiful lighting, velvet walls, and a golden curtain. A very blue pool house with a white curved ceiling with four spherical alcoves showcasing skylights. Pink metro station in Singapore with the focal point being to gray escalators.
If Wes Anderson was made of walls  

Dans Sully’s photo from his time in Singapore, A Swimming pool in
Stadt-Bad Gotha In Gotha, Germany, and foreign cinema somewhere unknown. 

I don't know the exact locartions of these places, or who took these two photographs. All I know is I would like to spend my time there. I want to swim in the pool in Germany all alone, floating on my back staring at the deatils of the ceilings, I want to be lost on the escalators in a Singapore as people make their daily commutes.I love Wes Anderson’s movies, I love the nostalgic feeling of the places pictured that I have never frequented.
Lenny Kravitz’s monochromatic spherical chrome bathroom. Blue futuristic bedroom, the walls are covered floor to ceiling in disco tiles. Red sexy lounge room/cocktail bar with reflective walls and bulbous paneling across the ceiling. A spherical hallway in Lenny Kravitz's Miami home covered in plush white fabric. Pink sitting area cut into the wall that leads into a blue an orange lounge that appears to never end.
Lenny Kravitz Miami Home

Lenny Kravitz Miami home designed by Architröpolis in 1999. 

When I was younger I thought about the future quite a bit. The future in the sense of chrome fixtures, and robots that catered to your every need. I wondered about the technological dystopia that would soon be my reality, but as I got older I realized the future isn't “futuristic” in a technical sense, but it is this idea of forward. This design of Lenny Kravitz’s home is exactly what I thought the world would look like, and sometimes I wish it was, despite future of tech being rather terrifying.  
Two children hugging and smiling into the camera, in the center background we see a mom kissing a child in a stroller, and to the left we see two little children kissing and embracing arms. Three children, one holding a cat, on hanging upside down on a handrail, while one looks back at the camera straight faced. Photograph of a child holding the cloths lines above her hide while her mother and younger sister relax on a lawn chair. Little girl in a pink leotard with her thumb in her mouth as she lays on the floor.
When We
Were Girls 

Jo Ann Walters 'Wood River Blue Pool'


This collection by Jo Ann Walters and Emma Kempe captures the essence and intimate experience of being girls; the built in pain in contrast to women's vanity. This two part photography and written dialogue series touches on the stories of these subjects while Kempe dives into the racist history of Walters home town. These photograph's remind me of my childhood, maybe it's the blonde bangs and bob I once wore, or the tutu and tears, but the experience of young girls growing into the mold of women hood makes me both nostalgic and heavy hearted.